Robness Cyberpop

Robness Cyberpop is a Blockchain visual artist/musician/author/collector that began his journey in what is now known as the 'NFT' space since its beginnings.  Took part in the first initial projects that bootstrapped the Bitcoin blockchain with a tokenizing layer protocol called Counterparty.  Also played a part in the initial tests of the first items to be cross platformed between two games(Sarutobi).  From there he became one of the first artists to contribute to the Pepecash card trading phenomenon which was one of the first true art trading experiments in crypto world.  Became a controversial figure in 1st quarter 2020 by being one of two artists(other is Max Osiris) removed from emergent Ethereum art gallery SuperRare.co for Copyright disputes and received a write up on Cointelegraph zeroing in on the debate about centralized platforms and censorship currently in the crypto/blockchain art communities.  Became an influential artist to others which spawned a 'Trash art/Trash gif' movement that became a rallying call to any acts of censorship in the space.  He currently now is delving into what he dubs 'Cavewave' or 'Post-Historic Expressionism,' where the primitive arts and superfuture collide.

Robness Cyberpop is a Blockchain visual artist/musician/author/collector that began his journey in what is now known as the ‘NFT’ space since its beginnings.  Took part in the first initial projects that bootstrapped the Bitcoin blockchain with a tokenizing layer protocol called Counterparty.  Also played a part in the initial tests of the first items to be cross platformed between two games(Sarutobi).  From there he became one of the first artists to contribute to the Pepecash card trading phenomenon which was one of the first true art trading experiments in crypto world.  Became a controversial figure in 1st quarter 2020 by being one of two artists(other is Max Osiris) removed from emergent Ethereum art gallery SuperRare.co for Copyright disputes and received a write up on Cointelegraph zeroing in on the debate about centralized platforms and censorship currently in the crypto/blockchain art communities.  Became an influential artist to others which spawned a ‘Trash art/Trash gif’ movement that became a rallying call to any acts of censorship in the space.  He currently now is delving into what he dubs ‘Cavewave’ or ‘Post-Historic Expressionism,’ where the primitive arts and superfuture collide.

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